Including LED's beyond basic indicators lights and typical analog metering for a number of reasons faceplate space for one. Personally I gave up on an assortment of displays. This, as an introduction, is a bit beyond the thread topic, but is just a take on my methodologies and development of metering in general. I would presumably need another switch to switch the range of the meter from line level, to a range more suitable to instruments.
Having a switch to switch the meter in and out is fine, if it would help protect the signal. That way the band, and the stage techs can know instantly who's end the problem lies.Ĭontrary to the title, and since I've reconsidered to best way to tackle this since posting, the common use would not be for Hi-Z, actually everything would be either line-level or instruments with onboard preamps. So 'what we need signal meter, or a DI with a meter in it' gets said a lot. The stage techs are always quick to blame the source, where we, knowing our gear had no issues the previous gig, will blame the stage. Is it the cable? Is it the patching wrong? Is it the source? or the DI itself. Frequently we arrive at a short changeover to our set at a festival, and there will be some kind of connectivity issue where the blame game gets thrown around. I play in a band and we need many DIs on stage. But the more I think on this, the ultimate would be to build it into a home-brew DI. Click to expand.Not before and after, either would be fine.
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